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Being with You

Vani Viswanathan writes a dripping-with-“cheesy” love note.

Pazhani of 17M

Raudram | Pazhani, the conductor of 17M, is very angry today, and as the bus courses through the long, crowded Mount Road of Chennai, has innumerable reasons to lash out at the passengers. The emotion of Raudram (Fury) is brought out in a story by Vani Viswanathan.

Language is the One Tool that can Liberate Women’s Bodies: Kutti Revathi

SOCIAL LENS | VOICE OF THE MONTH In an interview to Vani Viswanathan, poet-feminist-activist Kutti Revathi opens up on what prompted her to write poetry, her focus on the woman’s body as a means of fighting against the patriarchal Tamil society and her contribution to the Tamil literary space through her publication Panikkudam.

Forgotten ‘Hits’

In your deepest of music-related memories will be songs from long ago that you are surprised you ever liked, that tickle you, or that take you down the memory lane. Vani Viswanathan recollects a few Tamil songs in her music memory that formed an indelible part of her teenage but don’t really feature in her regular playlists – the ‘crazy’ songs, she calls them.

I am Rain

What if rain spoke to you and told you its story? Vani Viswanathan gives the rain a human voice.

Some Scrubbing for Shyamala

Mrs. Ramachandran lived a quiet, unassuming life until Judy Fleming from the UK came into make a difference. Find out what happened in this story by Vani Viswanathan.

Bettering Women’s Socioeconomic Status: Still a Long Way to Go

SOCIAL LENS A reality check shows that the socioeconomic status of women in India is at abysmal levels, despite reservation policies for women to enter politics, a state that is active in terms of providing welfare, all set in the backdrop of a growing economy that is unfortunately not being inclusive. Padmini Swaminathan, eminent feminist economist, comments on the scenario, as Vani Viswanathan listens in.

Tuning In to Different Times

THE LOUNGE |THE MUSIC CAFÉ | Vani Viswanathan laments the music of today and wishes she could have been born to spend her teenage in the 70s, just so she could have lived through the best English music of all times.

No, I said

At every stage in her life, when this woman did what she did, she was called a feminist by those around her. And every time, No, she said, until one day she realised, she was a feminist, after all. Vani Viswanathan writes a byte-sized story.