Two words don’t go down too well with Vibha. ‘Good news’. Parth Pandya’s story dwells on Vibha’s connection with these words, exploring romance from a couple’s point of view.
A young engineer, Dipen, discovers his fears at the offer of unconditional love from Juniper, his college mate, during their trip to Shantiniketan. Tapan Mozumdar tells the story, set in 1988.
An unexpected rendezvous provides Priyamvada an opportunity to find closure to a past relationship. Chaithali’s story has a funny twist to how Priyamvada achieved this.
This story is about a girl who seeks freedom to live her life as she wishes. Her mother wants to enforce the traditional goalpost of marriage on Chungum unwilling to accept that there are other ways to fulfillment. Chungum is forced to break free.
A Rockstar dies, except that he is not allowed to. Parth Pandya’s sci-fi story tackles life, death, rebirth and the challenges of encashing one’s karma and the Rockstar’s gambit to escape it all!
Biju can’t make sense of his girlfriend’s obsession with collecting junk in the name of memories. What do they do when they move in together and he has to deal with all her stuff? Vani Viswanathan tells the story.
Manjila, a domestic helper and illegal immigrant, is looking forward to returning to her home in Dhaka after four long years. She spends her last day in Bangalore walking down memory lane and bidding familiar sights goodbye. But the eve of her departure has an unpleasant surprise in store. Krithika tells the story.
Tanmoy’s story features a gay man confronting the throes of a dwindling relationship.
This story is Shruthi Rao’s re-imagining of the last moments of the composer Vidwan Mysore Vasudevachar (1865-1961) who asked his grandson Vidwan S Krishnamurthy (1922-2015) to play the tamboori/tanpura for him.